Some technical remarks:
All horn and keyboard tracks were entered on a MIDI masterkeyboard.
Horn sounds were treated with compression. Immediate release, slow attack. This way loud passages have a percussive beginning, suitable for this kind of music. Soft parts are not affected. Instead, their treble is cut to mimic the effect on real instruments playing soft.
Overdriven vocals were not intended but left as they were, because in the end it did not sound that bad.
Remark: It would be a good idea if for midi data there would be a way to make real independent copies by cut&paste instead of links that can’t be treated independently later. Just saying.