This is one of my earliest songs and over the years there have been a couple of cringey recording attempts with crappy canned drums and other instruments and I kind of forgot about it… One recent afternoon my son brought it up and we took a swing at a fresh take and this is what we have so far… He’s on drums and I did the rest… I’m sitting on 3 full projects that are all 90% done and I have to admit the recent realities of AI and the music business have really taken the wind out of my sails and motivation but this is pretty much done as ‘guitars-only’ mix so I thought I’d post it…
If anyone is interested in the story:
When my daughter was about 4 years old we took a trip to Ottawa (our capital city) and we toured the Parliament buildings and grounds and we stopped to rest in a picnic pavilion. There was a large bus tour of Sikhs sitting on the benches that lined the pavilion and she found the men in their turbans and beards and the women in their colorful salwar kameez garments to be fascinating and she was uncharacteristically not shy about going up to them saying hello and they found her blue eyes and tiny sprig of a white-blonde ponytail on the top of her head to be very amusing. This was long before our current times of large scale immigration so for us being from a small rural area this was simply not a common sight. While I watched them interacting it struck me how they were actually observing each other with wonder and after we came home I couldn’t escape the thought of how if we just could recapture some of that child-like curious wonder about each other what a different world it would be so I wrote this song. Of course that doesn’t automatically make a good song but for me at least there is a clear line between the inspiration and the writing so in that way I take some satisfaction in it.
Guitars are a Fender Baritone telecaster through a Fender Vibrolux amp and our studio Precision Bass through an ancient Traynor monoblock bass amp with an 18" cabinet. Drums are the real ‘Black Pearl’ kit which is pretty much a Studio fixture now. Ardour 8.12 was used and a variety of ACMT, U-he, Fabfilter and ACE Plugins…
Haha, both are a compliment but I am a card-carrying Grand Funk fanatic, in particular the earlier trio stuff… While they were not great songwriters and the Critics lived to knock them the power and energy of their live performances was legendary… I’m currently working on restoring and upscaling a compilation of their concert footage and there are some truly incredible performances…
Excellent backstory and fantastic mix, Glen Very catchy tune and, as stated by sunrat, quite Tom Petty (meant in a good way, of course…!). Was this mixed in Mixbus or did you stay in Ardour for the whole ride?
The arrangement is ace - everything seems to compliment each other and I really like the way the bass drifts from the main riff into something completely different (at the middle 8, around 2:25) but not giving the song a facelift or anything too dramatic before aligning itself with the guitars again, and then again towards the very end. All the subtle / nuanced changes (not just in the bass, of course) throughout the tune really keep it fresh for the whole 5 mins, which is something I personally find very difficult to do when recording / performing. So aye, nice one! Very well done.
I appreciate your time to listen and comment, BTW this one was done in Ardour 8.12… I do like Mixbus a lot but I can’t get exactly the mixes I want out of it like Ardour, just a matter of more time and invested hours… I don’t prefer the Mixbus master limiter, you can’t really see your levels going in… I like Presswerk and other Limiters that have in and out metering so you know you’re not clipping at the input.